The third and fourth parts sketch aspects and difficulties of such a philosophy. Part III is concerned with the overcoming of the metaphysical negativity inherent in the conception of phenomena as appearances. Nietzsche's use of the Dionysian "mask" in his later thought is examined with respect to precisely such an overcoming. The affirmative relation of mask and masked and the problem of philosophical unmasking as affirmation arise as elements unique to the latest phase of Nietzsche's thought and are discussed in (...) analyses of several of the Dionysus Dithyrambs as well as texts from Beyond Good and Evil and Twilight of the Idols. Part IV explores the philosophical affirmation contained within the exhibition of the mask as mask through unmasking. ;The appendices contain extended discussions of particular textual problems as well as translations of selected fragments--hitherto untranslated or only partially translated--from Nietzsche's notebooks in the last productive decade of his life. ;The following study is an attempt to arrive at an understanding of Nietzsche's thought in terms that are internal to that thought itself. The concept of "affirmation" was chosen as an appropriate one because of its central place in Nietzsche's description of his own thought in opposition to the nihilistic movement of previous philosophy. ;The first part of the dissertation is a detailed discussion of Schopenhauer's philosophy, a philosophy which culminates in the question of the "affirmation or negation of the will to life." In our exposition we are able to see not merely the connection of Schopenhauerian pessimism and philosophical nihilism, as understood by Nietzsche, but, as significantly, the way in which the philosophical tradition is positively present in this philosophy. The constructive nature of knowledge, the negative source of activity, the "identity" of art all lead to the final truth of the "nothing." The relation of Schopenhauer's apparently willful and arbitrary conceptions to the history of philosophy is emphasized throughout this first part which, despite this historical interest, attempts to arrive at an immanent understanding of this philosophy. ;The second part concerns itself with the Birth of Tragedy, but is as much an elaboration, extension and application of certain aspects of this book to other elements of Nietzsche's thought as it is an analysis of the book. The Birth of Tragedy's ambiguous connection with Schopenhauer is first discussed, particularly as concerns the central theme of "tragic affirmation" as affirmation of the totality. The ontological obscurities of the divine pair Apollo-Dionysus are discussed, and the "spirit of music" that generates tragedy, the Dionysian spirit of affirmation, is contrasted with the Platonic daimon of Eros. The problem of Dionysos mousikos as Dionysos philosophos emerges in this part. (shrink)

More than sixty years after its first publication in Germany in 1935 by its then emigré author, and more than thirty-five years after its republication in Germany by an author who had returned via Italy, Japan, and the United States, Löwith’s classic study has finally been translated into English. His work thus joins that of Karl Jaspers and of his teacher, Martin Heidegger, all central interpretations of Nietzsche’s work written by his compatriots during the decade that witnessed the collapse which (...) his works so insistently and uncannily prophesied, if not encouraged. It is thus not merely an important interpretation, but itself part of our fast-closing century’s intellectual history. Löwith’s view of Nietzsche as the philosopher who undertakes “the anti-Christian repetition of antiquity on the peak of modernity” or who attempts to overcome nihilism by affirming an “eternally recurring existence amidst the naturelike world of all that is”, has in fact been accessible to readers before the translation of the present book. It figures prominently in From Hegel to Nietzsche, and in Meaning in History whose final section is entitled “Nietzsche’s Revival of the Doctrine of Eternal Recurrence.” Although the main lines of Löwith’s interpretation have not changed, there is no denying the value of having his detailed interpretation finally available to English readers. The work’s lengthy third chapter, “The Unifying Fundamental Idea in Nietzsche’s Philosophy,” is its indispensable core, detailing the eternal recurrence as the fundamental idea of Nietzsche’s philosophy through an analysis of Thus Spoke Zarathustra, and outlining two conflicting interpretations of this idea, the “anthropological”, with its focus on “willing the idea,” and the “cosmological”, where the idea reintegrates humanity into an ever-recurring world indifferent to its projects. The two chapters preceding it characterize Nietzsche’s philosophical discourse as a paradoxical “system in aphorisms” ; and present the familiar tripartite periodicization of Nietzsche’s philosophy, with Zarathustra as the apogee. The chapters that follow it do not have quite the unity or philosophical penetration of the first three. Chapter 4 concerns itself with the relation of Nietzsche’s rejection of Christianity to his affirmation of a Greek and specifically Heraclitean nature. Chapter 5 discusses the way in which the problems of history and fate and freedom and necessity are dealt with in some of Nietzsche’s early writings, laying the groundwork for the problem of “willing necessity” that seems present in the eternal recurrence. In the following chapter we are presented with a history of modern philosophy from Descartes to Marx as a history of the “loss of the world” by a humanity lost in the “desert of its freedom”. We are then offered, in the seventh chapter, a detailed analysis of Kierkegaard’s conception of “repetition” and Otto Weininger’s ethical conception of “recollection” as alternatives to Nietzsche’s conception of eternal recurrence. It is not at all clear that this last maintains its interest sixty years later, and the same doubt arises regarding several, though certainly not all of the books reviewed in his Appendix, “On the History of the Interpretation of Nietzsche ”. The work’s final chapter, “The Critical Yardstick for Nietzsche’s Experiments,” summarizes the significance of Nietzsche’s project as a “return to nature,” to the “physis of the world,” once the metaphysical God is gone as a support for any teaching about man. Löwith concedes that Nietzsche failed fully to separate himself from the Christianity that haunted him as a negation, but implies that his program, determined by the fact that “he decided against God and for the world”, is of enduring significance. (shrink)